¿A dónde ir?
(Where to go?)

Created as a concept album "Impermanencia" describes the transition that begins at the moment of our death towards the unifying whole. “¿A dónde ir?” is the first of the four phases of this journey. It begins with an introduction that describes the atmospheres prior to the discarnation of the individual's consciousness, in a state of centered intuition in the last of all moments. Sounds of synthesizers and clarinets transfers us to undefined landscapes connected with the cosmic, where the flow of the celestial river begins its movement towards the final dissolution. The weight of the guitars and the distorted bass become present where the question “¿Dónde ir?” (Where to go?) is born spontaneously like an explosion in the deep. The journey develops continuously, intensely and energetically, generating a trance-in-motion feeling, echoing the internal call projecting it with sounds of guitars and repetitive percussion, cosmic synthesizers and endless questioning, which as steps in the void are thrown into the mystery and to the certainty that exists in it. “¿A dónde ir?” is the path that
discovers itself while being walked, when the only light is intuition. It’s the river born of indefinition whose fundamental delight is to flow constantly; to be the permanent search lacking answers as an essential reflection of our existence.

Visión Planetaria de los Tiempos
(Planetary Vision of Times)

As when the river meets the sea, the waterfall falls deafeningly and dilutes in the immensity of the ocean. It’s the second stage of the journey, “Visión Planetaria de los Tiempos” is a chant to the clarity of mind and the capacity for understanding, a planetary tribute to the
existence of conscious life in the last of the moments. Floating on a ritualistic, ethnic controlled noise the song develops spontaneously accompanied by the chants that give form to the Medha Suktam mantra, summoning the light of intellect and the creative forces to this disturbing dance, whom guides us through areas of indetermination towards the central chorus where the vocal melody appears explosive and deeply as a primitive tribute of
consciousness for life and time. The percussion progressively increases in intensity as the track develops, giving the necessary space for the different personalities of the instruments in execution to converge in a storm of deep spatial psychedelia. Guitar, synthesizers and bass provide the colors of this multicolored ocean, the ultimate chant of consciousness.

Cinco (La Quinta Dimensión)
(Five (The Fifth Dimension))

The ocean disappears, consciousness evaporates, leaving only the essential fiber, the cosmic naked fiber floating in the oldest of the dimensions; the dimension of feeling.
Ethereal, ambient and dreamlike develops "Cinco (La Quinta Dimensión)", third part of this transition where the clarinet dresses as a stellar emissary with a chant that connects us with the divinity of feeling, in a state of reverie without time sustained in the deepest
unconsciousness. The first section of this track is developed accompanied by a rhythmic base that sprouts and renews itself, pumping like a big heart in the center of the unthinkable until reaching the space quietude where the cosmic connection is led by spatial synthesizers and distant guitars that draw in trance the outline of the pure existence of feeling, the infinite as a means of nothingness to return to its origin. Executing a dreamy Space Ambient the second half of this journey is developed invoked by the terrestrial sky, where appears the chant that gives the closing to this final reverie, in the dissolution of all the dimensions, the celestial era of the cosmic feeling is transformed.

Inmaterialización del Sentimiento Cósmico
(Immaterialization of the Cosmic Feeling)

The final takeoff, the feeling of the cosmos rooted in us is disincarnated. "Inmaterialización del Sentimiento Cósmico" is the last phase of this journey, the advance towards mystery and total dissolution. We board the ship that will lead us towards complete dematerialization, where an increasing pulse resonates surrounded by synthesizers that announce the imminence of the takeoff. The feeling trembles in its last tremor, the dimensions fall like walls
torn by movement and separation. The percussion is the intense engine that increases without stopping, from post-punk to intense metal it illuminates the flame of temperament in the last of the delights. With passion we delude ourselves in the whole, with endless intensity towards the new atmospheres without conscience. The instruments intertwine as a living organism in the final work of our existence, when the cosmic feeling returns to its immateriality. Burning hecatomb, the feeling that lived us opens its wings and as fire melts the universe with life. Poised towards eternity we hear the chant that sums up life itself, the integration with all the futures and all the pasts, the yell of the soul. At the moment when everything falls we vanish bright and impermanent.